Research on the Inheritance and Development of Linear Skills in Guzheng Performance

Le Jingqi

doi:doi:10.11648/j.ijla.20210904.15

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Research on the Inheritance and Development of Linear Skills in Guzheng Performance

Le Jingqi

Published in International Journal of Literature and Arts (Volume 9, Issue 4)

Received: 8 July 2021 Accepted: 19 July 2021 Published: 24 July 2021

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Abstract

As a member of plucked stringed instruments, Guzheng, with its granular sound characteristics, constitutes the melody and lines with a strong Chinese national style. The Guzheng playing technique is made up of 4 point like sound in the early spring and autumn period, such as “Tuo”, “Muo”, “Gou”, and “Da” (transliterate), and later developed and innovated linear music skills such as “Tuopi”, “Yaozhi”, “Lunzhi” (transliterate), etc. Guzheng art has a long history, and its playing techniques are constantly innovating. These innovations in linear techniques give the Guzheng, which is a traditional plucked instrument, the opportunity and possibility to better express linear music. In order to explore the meaning and effect of the linear technique of Guzheng performance on the art of Guzheng performance, this study systematically analyzes the development status, performance effects and training methods of the three Guzheng playing techniques, Tuopi, Yaozhi, Lunzhi. This study further analyzes the technical characteristics of the three techniques of Tuopi, Yaozhi, Lunzhi in guzheng playing, and draws conclusions about the importance of “linear” art in the development of Guzheng. It not only provides references for the performers in the acquisition of the three skills systematically, accurately and scientifically, but also helps the performers to improve their performance levels.

Published in	International Journal of Literature and Arts (Volume 9, Issue 4)
DOI	10.11648/j.ijla.20210904.15
Page(s)	173-176
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2021. Published by Science Publishing Group

Keywords

Guzheng Performance, Linear Music, Playing Technique, Tuopi, Yaozhi, Lunzhi

References

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[3]	Rui Liu. A Combination of Chinese and Western Elements—Research of the Innovative Musical Language of Guzheng Works. Information Engineering Research Institute, USA: Information Engineering Research Institute, 2013: 5.
[4]	Peng Shanxia. Research on Functions and Techniques of Special Sound in Guzheng Performance. Proceedings of 2015 2nd International Conference on Education, Management and Computing Technology (ICEMCT 2015), 2015: 4.
[5]	Yao Shengjun. A brief talk on the development of Guzheng playing techniques―take the development of “Pi Tuo”, “Yaozhi”, “Lunzhi” as an example. Popular Literature and Art, 2010 (24): 7-8.
[6]	Meng Yang. Investigation on the nine art genres of Guzheng in contemporary China. The Voice of the Yellow River. 2014, (18): 87-89.
[7]	Xun Wang. The Cause of formation of the Guzheng genre from the perspective of regional culture. Chinese Music. 2009, (04): 147-152.
[8]	Mingming Qu. The Development and Innovation of Chinese Guzheng Playing Techniques. Research Institute of Management Science and Industrial Engineering. Proceedings of 2017 4th International Conference on Literature, Linguistics and Arts (ICLLA 2017), 2017: 5.
[9]	Huiying Liu. The application of the Guzheng playing technique "Tuo Pi" in Henan Zheng music and Shandong Zheng music. Art Criticism, 2017 (24): 71-72+116.
[10]	Murong Lin. One sound, one world—Interpretation of the importance and technical difficulty of mid-long tone in Guzheng Music Performance. Chinese National Expo, 2021, 03 (05): 147-149, 168.
[11]	Wang Xiaomei. Analysis of the Characteristics and Works of Traditional Guzheng Performance. International Information and Engineering Association. Proceedings of 2018 1st International Conference on Education, Art, Management and Social Sciences (EAMSS 2018), 2018: 5.
[12]	Xiaomei Wang. A Discussion on the Application of Traditional Rhythm Techniques in Modern Guzheng Performance. International Journal of Intelligent Information and Management Science, 2019, 8 (2).
[13]	Ye Sang. A Study on the Traditional Techniques and Historical Value of Guzheng in WuMingMa. Nanjing University of the Arts, 2014.
[14]	Mengge Tan. Analyze the “dot”, “line” and “face” expressed in the music of the "Lunzhi" playing technique of Guzheng. Artwork Jian, 2021 (09): 161-162.
[15]	Hu Xianwen. Contemporary cultural characteristics of modern Chinese Guzheng playing techniques. The Voice of the Yellow River, 2019 (20): 56-59.

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Le Jingqi. (2021). Research on the Inheritance and Development of Linear Skills in Guzheng Performance. International Journal of Literature and Arts, 9(4), 173-176. https://doi.org/10.11648/j.ijla.20210904.15

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Le Jingqi. Research on the Inheritance and Development of Linear Skills in Guzheng Performance. Int. J. Lit. Arts 2021, 9(4), 173-176. doi: 10.11648/j.ijla.20210904.15

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AMA Style

Le Jingqi. Research on the Inheritance and Development of Linear Skills in Guzheng Performance. Int J Lit Arts. 2021;9(4):173-176. doi: 10.11648/j.ijla.20210904.15

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@article{10.11648/j.ijla.20210904.15,
  author = {Le Jingqi},
  title = {Research on the Inheritance and Development of Linear Skills in Guzheng Performance},
  journal = {International Journal of Literature and Arts},
  volume = {9},
  number = {4},
  pages = {173-176},
  doi = {10.11648/j.ijla.20210904.15},
  url = {https://doi.org/10.11648/j.ijla.20210904.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20210904.15},
  abstract = {As a member of plucked stringed instruments, Guzheng, with its granular sound characteristics, constitutes the melody and lines with a strong Chinese national style. The Guzheng playing technique is made up of 4 point like sound in the early spring and autumn period, such as “Tuo”, “Muo”, “Gou”, and “Da” (transliterate), and later developed and innovated linear music skills such as “Tuopi”, “Yaozhi”, “Lunzhi” (transliterate), etc. Guzheng art has a long history, and its playing techniques are constantly innovating. These innovations in linear techniques give the Guzheng, which is a traditional plucked instrument, the opportunity and possibility to better express linear music. In order to explore the meaning and effect of the linear technique of Guzheng performance on the art of Guzheng performance, this study systematically analyzes the development status, performance effects and training methods of the three Guzheng playing techniques, Tuopi, Yaozhi, Lunzhi. This study further analyzes the technical characteristics of the three techniques of Tuopi, Yaozhi, Lunzhi in guzheng playing, and draws conclusions about the importance of “linear” art in the development of Guzheng. It not only provides references for the performers in the acquisition of the three skills systematically, accurately and scientifically, but also helps the performers to improve their performance levels.},
 year = {2021}
}

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TY  - JOUR
T1  - Research on the Inheritance and Development of Linear Skills in Guzheng Performance
AU  - Le Jingqi
Y1  - 2021/07/24
PY  - 2021
N1  - https://doi.org/10.11648/j.ijla.20210904.15
DO  - 10.11648/j.ijla.20210904.15
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 173
EP  - 176
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20210904.15
AB  - As a member of plucked stringed instruments, Guzheng, with its granular sound characteristics, constitutes the melody and lines with a strong Chinese national style. The Guzheng playing technique is made up of 4 point like sound in the early spring and autumn period, such as “Tuo”, “Muo”, “Gou”, and “Da” (transliterate), and later developed and innovated linear music skills such as “Tuopi”, “Yaozhi”, “Lunzhi” (transliterate), etc. Guzheng art has a long history, and its playing techniques are constantly innovating. These innovations in linear techniques give the Guzheng, which is a traditional plucked instrument, the opportunity and possibility to better express linear music. In order to explore the meaning and effect of the linear technique of Guzheng performance on the art of Guzheng performance, this study systematically analyzes the development status, performance effects and training methods of the three Guzheng playing techniques, Tuopi, Yaozhi, Lunzhi. This study further analyzes the technical characteristics of the three techniques of Tuopi, Yaozhi, Lunzhi in guzheng playing, and draws conclusions about the importance of “linear” art in the development of Guzheng. It not only provides references for the performers in the acquisition of the three skills systematically, accurately and scientifically, but also helps the performers to improve their performance levels.
VL  - 9
IS  - 4
ER  -

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Author Information

Le Jingqi

Traditional Instruments Department, Sichuan Conservatory of Music, Chengdu, China

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Plain Text BibTeX RIS

APA Style

Le Jingqi. (2021). Research on the Inheritance and Development of Linear Skills in Guzheng Performance. International Journal of Literature and Arts, 9(4), 173-176. https://doi.org/10.11648/j.ijla.20210904.15

Copy | Download

ACS Style

Le Jingqi. Research on the Inheritance and Development of Linear Skills in Guzheng Performance. Int. J. Lit. Arts 2021, 9(4), 173-176. doi: 10.11648/j.ijla.20210904.15

Copy | Download

AMA Style

Le Jingqi. Research on the Inheritance and Development of Linear Skills in Guzheng Performance. Int J Lit Arts. 2021;9(4):173-176. doi: 10.11648/j.ijla.20210904.15

Copy | Download

@article{10.11648/j.ijla.20210904.15,
  author = {Le Jingqi},
  title = {Research on the Inheritance and Development of Linear Skills in Guzheng Performance},
  journal = {International Journal of Literature and Arts},
  volume = {9},
  number = {4},
  pages = {173-176},
  doi = {10.11648/j.ijla.20210904.15},
  url = {https://doi.org/10.11648/j.ijla.20210904.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20210904.15},
  abstract = {As a member of plucked stringed instruments, Guzheng, with its granular sound characteristics, constitutes the melody and lines with a strong Chinese national style. The Guzheng playing technique is made up of 4 point like sound in the early spring and autumn period, such as “Tuo”, “Muo”, “Gou”, and “Da” (transliterate), and later developed and innovated linear music skills such as “Tuopi”, “Yaozhi”, “Lunzhi” (transliterate), etc. Guzheng art has a long history, and its playing techniques are constantly innovating. These innovations in linear techniques give the Guzheng, which is a traditional plucked instrument, the opportunity and possibility to better express linear music. In order to explore the meaning and effect of the linear technique of Guzheng performance on the art of Guzheng performance, this study systematically analyzes the development status, performance effects and training methods of the three Guzheng playing techniques, Tuopi, Yaozhi, Lunzhi. This study further analyzes the technical characteristics of the three techniques of Tuopi, Yaozhi, Lunzhi in guzheng playing, and draws conclusions about the importance of “linear” art in the development of Guzheng. It not only provides references for the performers in the acquisition of the three skills systematically, accurately and scientifically, but also helps the performers to improve their performance levels.},
 year = {2021}
}

Copy | Download

TY  - JOUR
T1  - Research on the Inheritance and Development of Linear Skills in Guzheng Performance
AU  - Le Jingqi
Y1  - 2021/07/24
PY  - 2021
N1  - https://doi.org/10.11648/j.ijla.20210904.15
DO  - 10.11648/j.ijla.20210904.15
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 173
EP  - 176
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20210904.15
AB  - As a member of plucked stringed instruments, Guzheng, with its granular sound characteristics, constitutes the melody and lines with a strong Chinese national style. The Guzheng playing technique is made up of 4 point like sound in the early spring and autumn period, such as “Tuo”, “Muo”, “Gou”, and “Da” (transliterate), and later developed and innovated linear music skills such as “Tuopi”, “Yaozhi”, “Lunzhi” (transliterate), etc. Guzheng art has a long history, and its playing techniques are constantly innovating. These innovations in linear techniques give the Guzheng, which is a traditional plucked instrument, the opportunity and possibility to better express linear music. In order to explore the meaning and effect of the linear technique of Guzheng performance on the art of Guzheng performance, this study systematically analyzes the development status, performance effects and training methods of the three Guzheng playing techniques, Tuopi, Yaozhi, Lunzhi. This study further analyzes the technical characteristics of the three techniques of Tuopi, Yaozhi, Lunzhi in guzheng playing, and draws conclusions about the importance of “linear” art in the development of Guzheng. It not only provides references for the performers in the acquisition of the three skills systematically, accurately and scientifically, but also helps the performers to improve their performance levels.
VL  - 9
IS  - 4
ER  -

Copy | Download